An outdoor exhibition at Peckham Levels, South London, showcasing 25 6ft paintings of the beauty in Peckham. This exhibition will be up for one year until December 2024 and after the exhibition ends I will be donating every painting to local schools, youth centres, charities and businesses throughout South London.

I am also holding a charity raffle, 100% of the profits will go to St. Giles Trust and if you donate any amount at all, you have a chance of winning one of these paintings in December 2024! Make sure to add your full name and email address for a chance of winning.

Donation link here

In April 2023, I held a solo exhibition at Peckham Levels where I exhibited 35 paintings of different spots in Peckham.

In December 2022, I held a one-week solo show in London’s Southbank, Oxo Tower Gallery. I exhibited 55 paintings showcasing the beauty of South London. The paintings were of places such as Camberwell, Peckham, Brixton, Bermondsey, Elephant and Castle.

A solo exhibition held at the AMP gallery in Peckham, South London showcasing 17 paintings of my life in London. Every picture was taken from my Iphone camera, depicting every day aspects of my life living in South London over the past 5 years.

In August 2019, I held a solo exhibition in Belfast at the Sea Holly Gallery above the Harp Bar in Belfast, including paintings, sculptures and installations.

Made from a gorgeous silk, Banger artist Shauna Fox has translated the staple floral mass bouquet print from Caólum’s graduate collection “Mother Ireland” in her unique painterly style. With a rolled hem finish, clashing mix of colour this large headscarf serves to be a great staple for anyones wardrobe with its generous sizing. Wear around the head, through your hair, treat it as an accessory or if your feeling adventurous wear it around your chest/bust as a top!

Shop now at : https://www.caolummccabe.co.uk/shop/p/calum-mccabe-x-shauna-fox-headscarf

Moving away made me question whether I was proud of where I was from. I had this sense of a love/ hate relationship with my home. When people asked me why I identified as Irish I had difficulty in verbalising how I felt about my identity and realised that I hadn’t given it a huge amount of thought. I had just allowed the cliched Irishness to seep in and I was comfortable in allowing it to be apart of me and go unchallenged. However when I moved away to London, that detachment allowed me a sense of objectivity and I began to dissect my perceived Irishness and expose it as mock and a smokescreen to conceal untold horrors.

The Irish preoccupation with soil and the land, ownership of it, separation from it is almost spiritual in its intensity. Irish people talk of the ‘oneness’ they feel when working with soil. I don’t feel that. I use soil and clay in my work in an attempt to unravel the mythology and passion it engenders in its people.

Commissions are priced according to size and whether you’d like it framed or unframed, if you'd like a price for a commission please do not hesitate to get in touch via the ‘Contact’ section of my page or contact me via Facebook, Instagram or email.

Instagram- @shaunafoxart

Facebook- Shauna Fox Art

Email- contact@shaunafox.com

I paint from images so send me a picture of what you’d like painted and I can let you know if it’s doable!

Sexualisation of a Loaf of Bread was my first solo exhibition, which was held in the Flying Dutchman in Camberwell.

People and things are randomly sexualised and desexualised constantly by advertisers and media depending on how we want to be perceived. Manipulation of sex interests me, can anything be sexualised? Can a painting be sexualised, can a loaf of bread be sexualised? What can how people go about sexualising a loaf of bread tell us about their views, feelings and approaches to sex. I also looked at the cosmetics industry and how it constantly manipulates female insecurity.